tag:blogger.com,1999:blog-69605485757665136872024-03-12T22:43:30.027-07:00Howard Skrill - The Anna Pierrepont SeriesOn Site Drawings of publicly displayed statuary in NYCHoward Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.comBlogger95125tag:blogger.com,1999:blog-6960548575766513687.post-5585122721262897492023-09-16T07:36:00.000-07:002023-09-16T07:36:01.268-07:00Works from my Portsmouth series from 2023's summer residency at Kunstram Brooklyn on display<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVngRJ82TQycOsoUuNieSP4-AckUSdl9QIgHvp9TsiV6bLzzoHOYdctCVGpowDh_ml0uHOQS8harE7m7izb-gQnSEFGHuBtE1PdZueCnIwaDcVNA56ERk50udmRMp7g6v9_h5BMfxzx6uyUT3sLQuV9jdC8BkwHBfjWZYanmIUtbSSA41V1rpra7zNHuI/s1886/Drapedportsmothconfederates8-4-23.jpg" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="600" data-original-height="1201" data-original-width="1886" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVngRJ82TQycOsoUuNieSP4-AckUSdl9QIgHvp9TsiV6bLzzoHOYdctCVGpowDh_ml0uHOQS8harE7m7izb-gQnSEFGHuBtE1PdZueCnIwaDcVNA56ERk50udmRMp7g6v9_h5BMfxzx6uyUT3sLQuV9jdC8BkwHBfjWZYanmIUtbSSA41V1rpra7zNHuI/s600/Drapedportsmothconfederates8-4-23.jpg"/></a></div><br><br>I am thrilled to announce that two works from my latest series of images focusing on the taking down of a Confederate soldiers' memorial in Portsmouth, Virginia are on display at Kunstram in Brooklyn in September, 2023.<br><br>The works were selected by Christina Massey in an exhibition entitled 'Memory Mirage' that also includes other Kunstram residents and member artists. Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-3392643125504888522023-07-08T07:24:00.003-07:002023-07-08T07:24:51.318-07:00Recent works featured in Soup Can Magazine (hard copy) issue ten (thanks to Chris Rockwell and Amanda Stewart) and congrats to the other contributors<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhknf3URdH75fUaQ_U3gcNT1WzozIphImPhLxHlj-bhCqEhcM8b-T386Jrsm88BuC5AU1r1RuI4aYIQqXTQRgoFbFI9Mc-09CmMHPIsbeFJY3DlLFeaQ3B7fadniCOIW439Kfj-lX9SeLmVx5xdOieTVRhwj4mMfKYquJb55YpGWB8beGfAq6qjiAu_upM/s709/s1.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="600" data-original-height="595" data-original-width="709" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhknf3URdH75fUaQ_U3gcNT1WzozIphImPhLxHlj-bhCqEhcM8b-T386Jrsm88BuC5AU1r1RuI4aYIQqXTQRgoFbFI9Mc-09CmMHPIsbeFJY3DlLFeaQ3B7fadniCOIW439Kfj-lX9SeLmVx5xdOieTVRhwj4mMfKYquJb55YpGWB8beGfAq6qjiAu_upM/s600/s1.jpg"/></a></div><br><br>
Attended the awesome launch party with spoken word by issue 10 contributors and live music at Belmar Arts Center on the Jersey Shore! txs to allHoward Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-90472204131517013212023-05-21T06:26:00.000-07:002023-05-21T06:26:11.525-07:00Whitewash: Robert E. Lee and the New Iconoclasm published [Jugaad's Project Spring 2023 issue]<a href="about:invalid#zSoyz"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwpz4AhbWh4aNHDQzri_vdaCb_qpYmg7FDoqh35wWLmRj_9wJHK8-V82iiq1FeeC2gigxWV1qqMqPO-l8YwAoZHfQV6Q2AkiJgcO_5SXh-tcnQASrcjnjjs3HRipBy7OJ3HxhTCc9cmqJczna7fRMFCYn6wlVF9aC2DJ6b8_FLs8bqla5A5y0spEnq/s4615/title-5-5-21-23F.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="600" data-original-height="4615" data-original-width="2826" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwpz4AhbWh4aNHDQzri_vdaCb_qpYmg7FDoqh35wWLmRj_9wJHK8-V82iiq1FeeC2gigxWV1qqMqPO-l8YwAoZHfQV6Q2AkiJgcO_5SXh-tcnQASrcjnjjs3HRipBy7OJ3HxhTCc9cmqJczna7fRMFCYn6wlVF9aC2DJ6b8_FLs8bqla5A5y0spEnq/s600/title-5-5-21-23F.jpg"/></a></div></a>
<b><b>Jugaad's Project Spring 2023 issue [<a href="https://www.thejugaadproject.pub/home/whitewash">https://www.thejugaadproject.pub/home/whitewash</a>]<b><b><br><br>
I am grateful to Urmila Mohan and Emily Levick for bringing to the public this project that has been in the works for the last three years!
Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-31611184135240488632022-12-14T05:07:00.002-08:002022-12-14T05:07:44.491-08:00Tent of Reams exhibited at Puertas Adentro Artes in Punta Del Este (Manantiales), Uruguay (December 2022 in person!)<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ68EX5Fz_hEZZkAxHjLjXd1wkUEzaO4Df_PiNwtSwIQLKWoSDMbipzF0R9-puYKUXUs0_qPo36kCQka4taIDkcIO5FUBVf4L1MgDYraie1-7htMPdq3tbPrR-9i79xUfLqaBgoiwF1Gsg66g9VFn5SHn5vVJ_HaREC8xUlOxVNugghNE10RJ8aQS6/s1833/TentofReams11-14-22.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="200" data-original-height="1287" data-original-width="1833" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ68EX5Fz_hEZZkAxHjLjXd1wkUEzaO4Df_PiNwtSwIQLKWoSDMbipzF0R9-puYKUXUs0_qPo36kCQka4taIDkcIO5FUBVf4L1MgDYraie1-7htMPdq3tbPrR-9i79xUfLqaBgoiwF1Gsg66g9VFn5SHn5vVJ_HaREC8xUlOxVNugghNE10RJ8aQS6/s200/TentofReams11-14-22.jpg"/></a></div>In Fall 2022, I participated in my second round of a virtual residency at Mango (Rio) under the direction of the redoubtable Maria Mercedes Aliaga Pueyrredon (we call her Mechi) and a former colleague from Uruguay from my first Mango residency Maria Soldano who arranged the exhibition in Punta Del Este. These Mango residency exhibitions are a challenge since our roster of participations in the residency that engages artists as widely distributed as Abu Dhabi, Mexico, Argentina, Uruguay, Texas, NYC and Benares, India. In the first of my Mango residencies in Summer 2020, the group settled on theme of language as a common thread, this time, metamorphosis. Tent of Reams was created as the last work of the 2022 residency that lasted for six works and that culminated in an open studio. I kept the emphasis on language that resulted in pieces after the residencies such as Lee(Amerikkka) and added the indeterminacy of metamorphosis, thus transforming figures, settings, text etc. in a representation of an Occupy protest where an equestrian monument was mounted by protesters and draped with a ‘Tent of Reams’. Txs, Mechi and Maria and all those associated with Punta Del Este Artes and Punta Planos that printed a digital version of Tent of Reams. The exhibition is up until the end of 2022 and can be viewed on a variety of Inst sites. Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-5260969229676352272022-11-28T06:12:00.002-08:002022-11-28T06:14:14.530-08:00Puffin Grant Awarded<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLV7BDBlmMkQJouoH_218CF4uU-immOQ4DHpIJWWXWQ5jXRJAXC866Tt5RpfJghkfBRNQ16eM_Vao5h-vwy9x_Jq_h3tFYIs9gNRFzso9HakcsDC6W9H9r1Lr4ZeI92QkjwgV5zsWCb0CFkk_8J23po2OsW7xz-L4y_pACxmKdNsUrj2D4PLwVchRx/s1833/TentofReams11-14-22.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="600" data-original-height="1287" data-original-width="1833" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLV7BDBlmMkQJouoH_218CF4uU-immOQ4DHpIJWWXWQ5jXRJAXC866Tt5RpfJghkfBRNQ16eM_Vao5h-vwy9x_Jq_h3tFYIs9gNRFzso9HakcsDC6W9H9r1Lr4ZeI92QkjwgV5zsWCb0CFkk_8J23po2OsW7xz-L4y_pACxmKdNsUrj2D4PLwVchRx/s600/TentofReams11-14-22.jpg"/></a></div>Thank you to the fine folks at the social justice not for profit Puffin Foundation, who sent an award for the continuation of the Anna Pierrepont Series in November 2022. Receiving an award to continue my practice of investigating the afterlife of public monuments in this extraordinary moment of New American Iconoclasm is so encouraging!Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-43559911168686340482022-10-31T07:42:00.002-07:002022-10-31T07:42:29.837-07:00Lee (Amerikkka) featured at SECAC 2022 in Baltimore. <div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU62NVvvGy461HJzHqGgzY3qM0qnnI9lQ6kXwkrjU3t-ovrNgP11lshsvw7k4CfEz6gvF5iIoJI6Ta4UfVfwDperKWhHE_AwzCAMeEcHdZr_cfag9A-chzVV1NSKgtBr3BHggQRj8XFrKPkVn4KJC5v8HJy83G802Mcb3Mj1TwS4n2ZI3tE7gjW0aV/s1909/Lee%28AmeriKKKa%292-8-22.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="600" data-original-height="1909" data-original-width="1382" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU62NVvvGy461HJzHqGgzY3qM0qnnI9lQ6kXwkrjU3t-ovrNgP11lshsvw7k4CfEz6gvF5iIoJI6Ta4UfVfwDperKWhHE_AwzCAMeEcHdZr_cfag9A-chzVV1NSKgtBr3BHggQRj8XFrKPkVn4KJC5v8HJy83G802Mcb3Mj1TwS4n2ZI3tE7gjW0aV/s600/Lee%28AmeriKKKa%292-8-22.jpg"/></a></div><br><br>
At a panel discussing public art and systematic racism hosted by Jason Brown (UTenn, Knoxville), myself (St.Francis College), Rebecca Hackemann-Bahlman (Kansas State), Billy Friebele (Loyola) and Meredith Drum (remotely from Virginia Tech) presented and discussed with engaged participants, the current state of the monumental landscape.<br><br>I traced the Anna Pierrepont Series from its hyperlocal origins in plein-air drawings on paper mostly in Brooklyn and Manhattan.<br><br>The series then turned its focus on erasure in pictorial essays and eventually to my current large scale studio works on paper documenting our singular moment of monumental reckoning.<br><br>I detailed my increased interest in plein-air works on the wear and inscriptions that emerged as lyrical tracery in numerous works on paper such as <div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4WyiM5gT515Xexm8n1iq9UTEHEspEuYZTcGetSAvx2fc23wZGVUndONwFU-_fFymQEhRJEOL5JDtVgdpE5q6Mqnup7HKandEI5ToOWORumdkeDF1_LEJI22A1p-6w-I3U_yWAvY_CRFewarw6OyzaZPjN9YejB3zyOwXlqZvsyZQ7SMSJHviG0rBK/s1267/JMarionSims2018absence.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="893" data-original-width="1267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4WyiM5gT515Xexm8n1iq9UTEHEspEuYZTcGetSAvx2fc23wZGVUndONwFU-_fFymQEhRJEOL5JDtVgdpE5q6Mqnup7HKandEI5ToOWORumdkeDF1_LEJI22A1p-6w-I3U_yWAvY_CRFewarw6OyzaZPjN9YejB3zyOwXlqZvsyZQ7SMSJHviG0rBK/s320/JMarionSims2018absence.jpg"/></a></div>pictures increasingly the absence of the monument to J. Marion Sims (plein-air) from 2018 that like the Sims absence, featured the bases of political and funerary monuments.<br><br>This practice enabled me to draw out the red 'AmeriKKKa' from the rest of the numerous markings on the Lee as part of the 2020 protests.<br><br>This orchestration enabled the word to speak to the legacy of violence celebrated by the Lee and in equestrian monuments in general.<br><br>Since the Lee and its inquisition in Amerikkka are no longer extant, the word testifies about the contemporary speaking back in grief and defiance to the legacy and persistence of injustice so embodied by the enormous and no longer extant Lee. The words 'Amerikkka' being lost along with it.<br><br>So what remains is my work on paper Lee(AmeriKKKa) as a totem.<br><br>Thanks to Jason, Rebecca, Meredith, Billy, our awesome colleagues at a provocative session and conference.
Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-47825242594993069372022-10-16T04:18:00.001-07:002022-10-16T04:20:52.339-07:00Works from the Anna Pierrepont Series featured in the 2022 Gowanus Open Studios at King Killer Studios, 10-15,15, 2022 (12-6) at 69 2nd ave. BrooklynThanks all those who visited our open studio this Saturday and will be visiting us today, 10-16-22!<br><br>
<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBw0YXA8HqjrQEDwqJiBFk9PhS7NLLFV3Yx_PXhrVCmnlJl8rHmXt1sQmvB3bf60bKR_Gg3Oas_8OWpSB-UpvwFBIBXi2JGkTRGqN6yoBANB9t4mRBjoHhI7yS56avm4kuTiPDHEJ1ng3pCeI5YWV57i2YVYlexx-RAXNe8-97cx8wGf3vbR5Xa_yB/s1916/Wellington10-9-22.jpg" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" height="600" data-original-height="1916" data-original-width="1413" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBw0YXA8HqjrQEDwqJiBFk9PhS7NLLFV3Yx_PXhrVCmnlJl8rHmXt1sQmvB3bf60bKR_Gg3Oas_8OWpSB-UpvwFBIBXi2JGkTRGqN6yoBANB9t4mRBjoHhI7yS56avm4kuTiPDHEJ1ng3pCeI5YWV57i2YVYlexx-RAXNe8-97cx8wGf3vbR5Xa_yB/s600/Wellington10-9-22.jpg"/></a></div>
Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-5077993103254245532022-06-17T09:02:00.002-07:002022-06-17T09:02:16.949-07:00Chino Castañeros interviews Howard Skrill (works featured) in New Reader Magazine <div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhltnuqAt5_3csD88m1xlues0tI_lJbeqTlmX5p_IQkX9VRc_txAAlYLIEN9v9anC-5_F-T3y1YscONam-hrDwXhU5oPjiigudHOomLQ4EK2S5xzn7sQaCJKpomLd23oOxryN0znciLwThzxu-v2S_uRiGMBxBjqK36FDrJAiIU4UC3HSKKpeu8YZsZ/s519/HMSNRM-2-6-16-22.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="600" data-original-height="519" data-original-width="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhltnuqAt5_3csD88m1xlues0tI_lJbeqTlmX5p_IQkX9VRc_txAAlYLIEN9v9anC-5_F-T3y1YscONam-hrDwXhU5oPjiigudHOomLQ4EK2S5xzn7sQaCJKpomLd23oOxryN0znciLwThzxu-v2S_uRiGMBxBjqK36FDrJAiIU4UC3HSKKpeu8YZsZ/s600/HMSNRM-2-6-16-22.jpg"/></a></div><br><a href="https://www.newreadermagazine.com/download/convalescence">New Reader Magazine June 2022 issue</a>Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-9167984897827027932022-04-25T06:09:00.003-07:002022-04-25T06:13:22.750-07:00Works from Anna Pierrepont Series included in 'Who Writes History' at ArtsWestchester until July 2022<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSxSlch2SKOCdgiselvZ8Xx70Bjcvgr1JOlzIQF7xS6eeLSq3Tnf7sexZJQt1yNJmQ3i7PJvplb9PWKViWo8gA3rMzLsiqU5xiEdmQFklJO1WZ4mONUFxrD0zURMBWlBDJdZbeUoJwMQHAN5cHfN_aUbtwK03Xo4Uq4hJ5pQJjladIn_8JX4R-Camy/s745/whoWFF.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="400" data-original-height="745" data-original-width="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSxSlch2SKOCdgiselvZ8Xx70Bjcvgr1JOlzIQF7xS6eeLSq3Tnf7sexZJQt1yNJmQ3i7PJvplb9PWKViWo8gA3rMzLsiqU5xiEdmQFklJO1WZ4mONUFxrD0zURMBWlBDJdZbeUoJwMQHAN5cHfN_aUbtwK03Xo4Uq4hJ5pQJjladIn_8JX4R-Camy/s400/whoWFF.jpg"/></a></div><br><br>Thanks to the curators and installers at ArtsWestchester for featuring works from the Anna Pierrepont Series in <b>'Who Writes History?</b>'<br><br>I include the guest curator, Randy Williams' comments on my work that was installed.<br><br>
We are confronted with public monuments daily. We view some with committed visions and some with omitted visions. Howard Skrill's plein-air monuments drawing is a record of an aesthetic souvenir altered by public sentiments. His drawing acknowledges both the monument and community members' feelings about the monument. The artist illustrates how the public can create a conversation with public monuments. There is certainly the view that the monument is being defaced, but there is also an argument that the act of public response is a statement of empowerment. Howard Skrill's Plein-Air Drawing of a Monument teeters on ambiguity. He recognizes both the historical object as well as the contemporary response to the historical monument. He offers his viewer a lens through which to view this object from the past in discussion with voices from the present. The contemporary musings by the public have added a new chapter to the story of this monument.<br><br>Please click here to see the <a href="https://artswestchester.org/who-writes-history/#wwh_catalogue">beautiful catalog</a><br><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBLHqfYn9NPWrjrGo5G5rm8j-CJxMryOIoNaOaXzqzMxFqMU5x12cB3pHwXPBRSwScIjnixHlqm3JlzwWFUeng9SwI5L8nqhuFMMgyPw-d6adYdceryR_8tC1lHzUrONtizB7Sprd08f9h6X3mlwLcxKqCEqBTHxVE4C1cDbf1IsrSh83iMa4tTyH1/s805/imagD.jpg" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="600" data-original-height="195" data-original-width="805" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBLHqfYn9NPWrjrGo5G5rm8j-CJxMryOIoNaOaXzqzMxFqMU5x12cB3pHwXPBRSwScIjnixHlqm3JlzwWFUeng9SwI5L8nqhuFMMgyPw-d6adYdceryR_8tC1lHzUrONtizB7Sprd08f9h6X3mlwLcxKqCEqBTHxVE4C1cDbf1IsrSh83iMa4tTyH1/s600/imagD.jpg"/></a></div>Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-15749204738555430422022-03-17T10:31:00.002-07:002022-03-17T10:31:49.975-07:00Works from the Anna Pierrepont Series in 'Color Recall' at St. Joseph's College, Brooklyn<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjrEqWTZTkNlIiQikWMhApos9_xzZ_f8SKWRsWGzcHyRGdBeRvf6IOugRbjsGv_z1yZU1RwDWaMX16znWNExmuo46_iPPGIHq_EcZ9ODPHSIjt_Xh5hhnZMs6ZtrPb8R5V3CswzS6hS6sVickpWx3PxCxftt0Kwr-q-QSsEG5C-DssWkR6Z0UafduSn=s1833" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="400" data-original-height="1833" data-original-width="1341" src="https://blogger.googleusercontent.com/img/a/AVvXsEjrEqWTZTkNlIiQikWMhApos9_xzZ_f8SKWRsWGzcHyRGdBeRvf6IOugRbjsGv_z1yZU1RwDWaMX16znWNExmuo46_iPPGIHq_EcZ9ODPHSIjt_Xh5hhnZMs6ZtrPb8R5V3CswzS6hS6sVickpWx3PxCxftt0Kwr-q-QSsEG5C-DssWkR6Z0UafduSn=s400"/></a></div><br><br>Thanks to Dan McDonald of the Park Slope Windsor Terrace Artist group who selected two works on paper for inclusion in this beautiful exhibition!<br><br><a href="https://www.sjcny.edu/about/news-events/events/item/9227"></a>https://www.sjcny.edu/about/news-events/events/item/9227Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-4895955805941054442022-03-17T10:26:00.001-07:002022-03-17T10:26:29.431-07:00Solo exhibition at Holy Art (London), an award for group show (https://www.theholyart.com/howard-skrill)<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgrkd6ALa8n_Ae1H9-Iv9BeyTxpU6bSMvriGJrYW-do8RGB1acxR9qU6RBNI45OTq0kZJ-4jiYxluKgSHP4pK9unGHSKKStGOsHOMOghDRTWFMXAZGCPW7iqmqAM9zCgK52XDTJijs9b7jNmkqWXYYtbg9klGB4DN-NZpBaVNwhGt2RPNRQdYeiGSgr=s1909" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="400" data-original-height="1909" data-original-width="1382" src="https://blogger.googleusercontent.com/img/a/AVvXsEgrkd6ALa8n_Ae1H9-Iv9BeyTxpU6bSMvriGJrYW-do8RGB1acxR9qU6RBNI45OTq0kZJ-4jiYxluKgSHP4pK9unGHSKKStGOsHOMOghDRTWFMXAZGCPW7iqmqAM9zCgK52XDTJijs9b7jNmkqWXYYtbg9klGB4DN-NZpBaVNwhGt2RPNRQdYeiGSgr=s400"/></a></div>Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-80084763390665462792022-01-20T03:50:00.001-08:002022-01-20T03:50:35.422-08:00My A. Jackson Splashed Red receives Mozaik Philanthropy award and exhibition <div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgDTwUxLGUA6R9AKoqX9vIHUJuTV08ptXVZf1emPcikjnuvuNDJ6RWaP-wsWiE7awbzVYuNT64Pq7-gFtD3-8gwd1jNWp3epe6m1ao967iIBsvQ9Ss1U1RN4qm9SRnYS97lY6UId5VUQ_9Kjr_j3KitQ3BkLLzcqjyYAvbBsQpLO_Tb6TD_Qlc1Zm5M=s2212" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" height="600" data-original-height="2212" data-original-width="1949" src="https://blogger.googleusercontent.com/img/a/AVvXsEgDTwUxLGUA6R9AKoqX9vIHUJuTV08ptXVZf1emPcikjnuvuNDJ6RWaP-wsWiE7awbzVYuNT64Pq7-gFtD3-8gwd1jNWp3epe6m1ao967iIBsvQ9Ss1U1RN4qm9SRnYS97lY6UId5VUQ_9Kjr_j3KitQ3BkLLzcqjyYAvbBsQpLO_Tb6TD_Qlc1Zm5M=s600"/></a></div><br)<br>
I am so excited and honored that my image 'A. Jackson Splashed Red' received a monetary award and pending exhibition by the wonderful folks at the Mozaik Philanthropy for their 'Ecosystem X' exhibition.<br><br>https://mozaikphilanthropy.org/faa/Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-1598425573425618392021-11-17T14:32:00.002-08:002021-11-17T14:36:00.151-08:00A 'Letter to America' from the Anna Pierrepont Series in Arterrain <div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuCAUStjG9-EBzWY0mg7JGBffu-RSFAhmCZaNGjHtzkw4xA3CH14RJ1Sf0rAgnh7ytZO9HKZq_XMQAUgomV4-sY4HTbQ4Y_3IqMCIfTAktxFiKLL2Tjpum56qOyMTRT8vfFaeCVDnapRM/s1807/arterrain.jpg" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="600" data-original-height="736" data-original-width="1807" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuCAUStjG9-EBzWY0mg7JGBffu-RSFAhmCZaNGjHtzkw4xA3CH14RJ1Sf0rAgnh7ytZO9HKZq_XMQAUgomV4-sY4HTbQ4Y_3IqMCIfTAktxFiKLL2Tjpum56qOyMTRT8vfFaeCVDnapRM/s600/arterrain.jpg"/></a></div><br><br>I am honored to have dozens of recent works featured in Terrain.org's Arterrain. <br><br>[https://www.terrain.org/2021/arterrain/howard-skrill/#!]<br><br>With the help of my editor, Nancy Geyer, my works on paper of the fate of public monuments in this monumental moment have been combined with words that collectively capture my record of this quickly unfolding present. Thanks also to the Editor and Chief of Terrain.org, Simmons Buntin. Not only did the folks at Terrain offer me this extraordinary platform but expedited its publication and believed these works qualify as a 'letter' to my beloved and deeply troubled fellow Americans.Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-47169220217394001272021-11-17T14:21:00.000-08:002021-11-17T14:21:21.350-08:00Exhibition in France!=<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigKtSHPiROYcpORvpqVNglTddlCjUcxLkQPt0_vsh06eCW2ZZKqTDfVSqvpCulboa5BNMANgUrhF78dDLA20SiMQXpchFGs5fxCtRuReWn9w_HT4XsTwS-RLwTcd2GB4oVdEzPFtWFm74/s1033/marnay.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="400" data-original-height="744" data-original-width="1033" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigKtSHPiROYcpORvpqVNglTddlCjUcxLkQPt0_vsh06eCW2ZZKqTDfVSqvpCulboa5BNMANgUrhF78dDLA20SiMQXpchFGs5fxCtRuReWn9w_HT4XsTwS-RLwTcd2GB4oVdEzPFtWFm74/s400/marnay.jpg"/></a></div><br><br>For six weeks in the summer and early fall of 2021, I participated in a virtual residency under the auspices of Mango III. Our residents were divided into two groups and I spent a wonderful and intense time with four amazing artists from India, Switzerland, the US, and Uruguay. We were ably led by the residency director, Mercedes Aliaga Pueyrredon from Argentina. Our efforts have culminated in an exhibition at LExpressior! in Marnay-Sur-Seine, France with an opening on 11-18-21Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-69961558869211785372021-09-28T04:23:00.004-07:002021-09-28T04:23:45.500-07:00Works from the Anna Pierrepont Series at Ivy League Gallery in NOTACATBUTALLAMA <div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_EOsvswfPEw9UtpXrj7m9xJVBXjyVhUidHMGd3J20UEdVoGMb1yXFWH3MZuNewugewBMFcEuRioyeCLrs2tok8dSosCmRSAKkuFyYP8OvyQ0wba0hqtAG8q-VkUKozxvnWWJPOFOdmyQ/s1702/MacDonaldsplashedpepto5-17-21.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="600" data-original-height="1702" data-original-width="1260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_EOsvswfPEw9UtpXrj7m9xJVBXjyVhUidHMGd3J20UEdVoGMb1yXFWH3MZuNewugewBMFcEuRioyeCLrs2tok8dSosCmRSAKkuFyYP8OvyQ0wba0hqtAG8q-VkUKozxvnWWJPOFOdmyQ/s600/MacDonaldsplashedpepto5-17-21.jpg"/></a></div>
Thanks for the folks at Ivy League Gallery for featuring my work, such as this image of 'MacDonald (Toronto) Splashed Pepto' in this onliine exhibition <br><br>https://www.ivyleaguegallery.com/notacatbutallama-20/notacatbutallama]Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-5069613178203585282021-09-18T03:54:00.000-07:002021-09-18T03:54:45.961-07:00'Zachary Taylor' from Capital featued in 'Paper' exhibition at the inauguration of the Esperanto Gallery in Markham, Ontario<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKbawSEmLJ9lSdQHKTxf_7TdpXTWFiwen7T2httjKd72DrdfOt2UbEwKQELFClYnuGFaj0YKXNFyAYPonYjlIWdhdiiQLRBwc6dX2VWNV3o5CNG86y6M8yXNoRqhyphenhyphenvgEwhDH0xEJEYU9I/s1562/ZacharyTaylorCapitol5-25-21.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="600" data-original-height="1562" data-original-width="1037" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKbawSEmLJ9lSdQHKTxf_7TdpXTWFiwen7T2httjKd72DrdfOt2UbEwKQELFClYnuGFaj0YKXNFyAYPonYjlIWdhdiiQLRBwc6dX2VWNV3o5CNG86y6M8yXNoRqhyphenhyphenvgEwhDH0xEJEYU9I/s600/ZacharyTaylorCapitol5-25-21.jpg"/></a></div>
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Thanks for Stacey MacNevin from the Esperanto Gallery for featuring my work in person at the Gallery's inaugural, in person! exhibition.
Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-68268167687196923272021-06-02T04:21:00.000-07:002021-06-02T04:21:31.667-07:00'JEB Stuart Splashed' Richmond (merged with a painting by Derrick Breidenthal) is the cover of the Spring 2021 issue of 'Breakwater Review"<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXqQCaxNQhb30K84d42FI2uBxOn0Rsx90rCsFIlfgJNHdgL25wIzwkPZrzpGVGPqzEEgSMeCUqrTkWGENfl9EKdshvtH6YAfs8ry6j2fB9biGWbJ5AtJftlTYuRnETSYISlVX_M47i5xw/s1115/Breakwater2021.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="600" data-original-height="1115" data-original-width="900" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXqQCaxNQhb30K84d42FI2uBxOn0Rsx90rCsFIlfgJNHdgL25wIzwkPZrzpGVGPqzEEgSMeCUqrTkWGENfl9EKdshvtH6YAfs8ry6j2fB9biGWbJ5AtJftlTYuRnETSYISlVX_M47i5xw/s600/Breakwater2021.jpg"/></a></div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0HxG0hMwxNdy2JoSh-7ocevfpUmgpq1TdqyUS5BAPZqEBQXgZtKSeZHoRbPlWdbhkFqG_YEu37DZoFO_FKdov5UBBTQSEt1gqQ8aYsWFXqd_-858k6nhuiiIBKYyYbwU9Zc7uJCr-DVU/s1729/Maurysplashedrichmond%2528breakneck5-17-21%2529.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="600" data-original-height="1729" data-original-width="1299" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0HxG0hMwxNdy2JoSh-7ocevfpUmgpq1TdqyUS5BAPZqEBQXgZtKSeZHoRbPlWdbhkFqG_YEu37DZoFO_FKdov5UBBTQSEt1gqQ8aYsWFXqd_-858k6nhuiiIBKYyYbwU9Zc7uJCr-DVU/s600/Maurysplashedrichmond%2528breakneck5-17-21%2529.jpg"/></a></div>Richmond native, Nicole-Anne Bales Keyton, the Editor and Chief of the extraordinary publication <a href="https://www.breakwaterreview.com/about-cover-30">Breakwater Review</a>, overlays my work with that of Derrick Breidenthal to reconcile her profound emotions as the murder of George Floyd ushers in a transformation of one of the places that she knows best, the iconic Monument Avenue in Richmond with its former statues of Confederate heroes. The cover image features an equestrian monument depicting the Confederate general JEB Stuart that is depicted as splashed in my picture with red similar to the red in Mr. Breidenthal's beautiful paintings. She includes an image of the now empty plinth that held the monument now consigned to erasure as the statues to the Confederacy’s heroes are systematically being removed from the Capitol of the Confederacy 156 years after Richmond was burned to the ground and the dream of a slave owning republic perished in a city reduced to ruins.Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-41942319081909375762021-06-02T03:46:00.002-07:002021-06-02T03:46:55.392-07:00My MacDonald (in Toronto, Canada's first PM) statue splashed pepto displayed in the Summer 2021 issue of Tofu Ink Art Press<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihJdIGO9lMEJFRsqZuJNUcgxXwGQmC3uPkd5KwJCoXD50GB5uPHK6q_66bfT0zDOQF2S8qfCjjrlwECnP3bvaGGb5Z1yq-uts3EdibRlAl02FZavcfePj7IcqN4X7Yq4KIWehQCcbjQsc/s1702/MacDonaldsplashedpepto5-17-21.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="600" data-original-height="1702" data-original-width="1260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihJdIGO9lMEJFRsqZuJNUcgxXwGQmC3uPkd5KwJCoXD50GB5uPHK6q_66bfT0zDOQF2S8qfCjjrlwECnP3bvaGGb5Z1yq-uts3EdibRlAl02FZavcfePj7IcqN4X7Yq4KIWehQCcbjQsc/s600/MacDonaldsplashedpepto5-17-21.jpg"/></a></div>Txs to Brian Jacobs and his crew at <a href="https://www.tofuink.com/">Tofu Ink Art</a> <a href="https://www.tofuink.com/"></a>Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-18007975367389094642021-04-30T16:49:00.002-07:002021-04-30T16:49:35.508-07:00Two splashed equestrians have been included in Art Against Racism's website<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhChGf_3jDcOMIj5a7vx930jwZkVtOb6d-JArM5ghDQ1f5Rv3r__SKr8PrfIvuAchJbdku-uZQmNy-2LKOr578Ij8kiDCLbfLIQN1FKWEje2a1ojjFb-5FtXo7_hAbQgKn_BUA0cmOihm0/s1484/Leerichmondgraffiti11-22-20.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="600" data-original-height="1484" data-original-width="1088" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhChGf_3jDcOMIj5a7vx930jwZkVtOb6d-JArM5ghDQ1f5Rv3r__SKr8PrfIvuAchJbdku-uZQmNy-2LKOr578Ij8kiDCLbfLIQN1FKWEje2a1ojjFb-5FtXo7_hAbQgKn_BUA0cmOihm0/s600/Leerichmondgraffiti11-22-20.jpg"/></a></div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWS72mLiVXQGpuaS5cGORq4wazaDvC4_-wYZ_6FdfLdUftKIcVui86nh0sYZmS95kYh56PNxjbiUBMSgjtuJZXF5o2mdhX_JCgilY4Y-GvnbmQyJSu5Kif3j7zwfcaedkYoPmavETXFAo/s1690/TRsplashed9-18-20.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="600" data-original-height="1690" data-original-width="1241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWS72mLiVXQGpuaS5cGORq4wazaDvC4_-wYZ_6FdfLdUftKIcVui86nh0sYZmS95kYh56PNxjbiUBMSgjtuJZXF5o2mdhX_JCgilY4Y-GvnbmQyJSu5Kif3j7zwfcaedkYoPmavETXFAo/s600/TRsplashed9-18-20.jpg"/></a></div>Thanks to the curators of the 'Art Against Racism' website for including my work in their extraordinarily worthy project in the <a href="https://artagainstracism.org/mmm-galleries/">visual culture gallery </a>Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-80875493083722981952021-04-30T16:44:00.000-07:002021-04-30T16:44:00.325-07:00Two 2021 images added to prose works in the Spring 2021 issue of Gulf Stream Magazine<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWRozUdpc3mQVpIJEANkvgRc4gboifCrKt9rA_K172mNS13sKyXJMRj84vBCPUbbb7jbJ8wDgKlX4-fbOxZgww3haDFN_GUphhy3qSFHm_fA-MnHnyhSHQgkQgvh7WSDfVQstmQQFUu24/s1493/BrokenGlassCapitol%2528thru%25293-3-21.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="600" data-original-height="1143" data-original-width="1493" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWRozUdpc3mQVpIJEANkvgRc4gboifCrKt9rA_K172mNS13sKyXJMRj84vBCPUbbb7jbJ8wDgKlX4-fbOxZgww3haDFN_GUphhy3qSFHm_fA-MnHnyhSHQgkQgvh7WSDfVQstmQQFUu24/s600/BrokenGlassCapitol%2528thru%25293-3-21.jpg"/></a></div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSxsivxc50up0camy7Os-zJ3fLQLgpJhNij7mJfs5SGyMWMF3sIjKQFxP8f3VDcgqUgdSkZwX322-izkBuxmD9cFitIQBXcJ3u9eBjEFVr1GPYzoiitug8RdadltYem11cLIcMdNuZk4M/s1500/Confederatesoldiersplashedred3-3-21.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="600" data-original-height="1500" data-original-width="1098" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSxsivxc50up0camy7Os-zJ3fLQLgpJhNij7mJfs5SGyMWMF3sIjKQFxP8f3VDcgqUgdSkZwX322-izkBuxmD9cFitIQBXcJ3u9eBjEFVr1GPYzoiitug8RdadltYem11cLIcMdNuZk4M/s600/Confederatesoldiersplashedred3-3-21.jpg"/></a></div>I am honored that Gulf Stream Magazine <a href="https://gulfstreamlitmag.com/">has published two of my works 'Broken Glass Capitol Thru' and 'Confederate Soldier Splashed Red' to accompany moving prose, <i>At the Edge of Water</i> by Sayuri Ayers and <i>Black Madonna</i> by Tifara Brown
</a>Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-79176174942193680932021-04-15T09:37:00.001-07:002021-04-15T09:37:38.939-07:00Lee Removal Dallas in the Spring 2021 issue of Chestnut Review (for Stubborn Artists) <div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCL6I2LfifgkPHMlRZbDTGtZhdFChePhqRyg-N-PzU95kXqQK18nn6WGlOdl61GvR4bZFgJHAi7RL7jrC7hb3tE-D_0EoLxXr4TVNrBtEyqUiB02V5a7UxaTrryiP2Z5MHFnbm8oiIAxU/s2148/Leeremovaldallas11-18-2.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="600" data-original-height="2148" data-original-width="553" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCL6I2LfifgkPHMlRZbDTGtZhdFChePhqRyg-N-PzU95kXqQK18nn6WGlOdl61GvR4bZFgJHAi7RL7jrC7hb3tE-D_0EoLxXr4TVNrBtEyqUiB02V5a7UxaTrryiP2Z5MHFnbm8oiIAxU/s600/Leeremovaldallas11-18-2.jpg"/></a></div>I would like to thank James C. Rawling and his staff from the Chestnut Review (for stubborn artists) and his staff for including my panel painting from my Fairfield University Art Museum exhibition ‘Monumental Follies” of work crews scampering over an equestrian statue in Dallas from Turtle Creek Park in 2019. Chestnut Review will be hosting a virtual launch party that I will be discussing the work on Saturday, 4-17 at 11:00, looking forward to it!Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-403146763391607232021-02-15T07:56:00.001-08:002021-02-15T07:56:07.279-08:00My Lee Tagged in Richmond has been published in the Winter/Spring issue of WordPeace<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCpfaN6A6mPpnrXKnpkljBeGpkuqPkVQd9JXkhNzafSpx46qm8Chj01P2ZYR5-pX1deykJTmrTjZOp5cAdOtZ9sGeO4RRg9aFQr7l1Qr6xqjCaZf1dSj0pmWSDAetXHpD_d-yp2LGifxY/s1484/Leerichmondgraffiti11-22-20.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="600" data-original-height="1484" data-original-width="1088" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCpfaN6A6mPpnrXKnpkljBeGpkuqPkVQd9JXkhNzafSpx46qm8Chj01P2ZYR5-pX1deykJTmrTjZOp5cAdOtZ9sGeO4RRg9aFQr7l1Qr6xqjCaZf1dSj0pmWSDAetXHpD_d-yp2LGifxY/s600/Leerichmondgraffiti11-22-20.jpg"/></a></div><br>
Txs to Russ Taylor, the Visual Arts Editor, my Lee Tagged Richmond is featured in the Winter/Spring 2021 issue of WordPeace.<br>
https://wordpeace.co/current-issue-6-1-winter-spring-2021/art
Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-91698480395308888582021-02-10T09:31:00.000-08:002021-02-10T09:31:01.910-08:00Lady Forward is the cover art of the Winter 2021 issue of the Carolina Quarterly<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4I-HiVAYEUiE0Tui1djcC-j1Rkw3aP5lGMU-gs6RxQOT7zhvEU6IgglFIKs7f8woI1M8vSCttdfau4JfNOMUhpqiHccTAqqAfuNrJ-sBjdb5HTF2XV8nqo4fTbEFuaBrVR8rPcdogIQw/s460/carolinaquarterly2-10-21Rev.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="600" data-original-height="460" data-original-width="322" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4I-HiVAYEUiE0Tui1djcC-j1Rkw3aP5lGMU-gs6RxQOT7zhvEU6IgglFIKs7f8woI1M8vSCttdfau4JfNOMUhpqiHccTAqqAfuNrJ-sBjdb5HTF2XV8nqo4fTbEFuaBrVR8rPcdogIQw/s600/carolinaquarterly2-10-21Rev.jpg"/></a></div><b>Thanks to Kylan Rice and his staff at the venerable Carolina Quarterly!Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-19878148580170786652020-12-26T04:41:00.000-08:002020-12-26T04:41:02.446-08:00My Castleman splashed orange and red splashed TR on display at Kube Beacon next to the work of Jeanie Motherwell<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-MS755VYb-E1RzLGetvyTmpea71CKyMPMO7He_Xf53WWv_vNV2zMRB5gMN5PmWWBMPg8MJ9KFGsjE3HIs0qn1rE7VcWO2JxjSZ-NYGPuXIBqiD1N5RpHXFoZkF9IMzbqw65kKJUXzZvg/s1024/IMG_20201225_133849_805.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="600" data-original-height="768" data-original-width="1024" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-MS755VYb-E1RzLGetvyTmpea71CKyMPMO7He_Xf53WWv_vNV2zMRB5gMN5PmWWBMPg8MJ9KFGsjE3HIs0qn1rE7VcWO2JxjSZ-NYGPuXIBqiD1N5RpHXFoZkF9IMzbqw65kKJUXzZvg/s600/IMG_20201225_133849_805.jpg"/></a></div>Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0tag:blogger.com,1999:blog-6960548575766513687.post-5278192829919043312020-12-13T04:32:00.002-08:002020-12-13T18:10:03.834-08:00My Victoria Splashed (BLM) displayed until end of December 2020 at Williamsburg Art and Historical Center (WAH)'s Lockdown Show<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgey9gSUlkLv5ClmO2Ld2DZuo3W4Eoczzk42YDJB_uMSLFj7gQczRJIIiQnwFv3lpceg2c3oN2HS7xzpU6ytc_Vq5ZJerHjadFn0Oq60jpwpTIhVFA80msSuHcv4LHV02rOJBqcQMsFukE/s1386/QueenVictoriaLeeds6-25-20.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="600" data-original-height="1134" data-original-width="1386" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgey9gSUlkLv5ClmO2Ld2DZuo3W4Eoczzk42YDJB_uMSLFj7gQczRJIIiQnwFv3lpceg2c3oN2HS7xzpU6ytc_Vq5ZJerHjadFn0Oq60jpwpTIhVFA80msSuHcv4LHV02rOJBqcQMsFukE/s600/QueenVictoriaLeeds6-25-20.jpg"/></a></div><br>Thanks to Yuko Nii and her staff.<br>Catalog available!Howard Skrillhttp://www.blogger.com/profile/03730914287207741673noreply@blogger.com0